Press

  • Vrinda’s composed pace added to the melody of her singing....Good planning and good execution stood out” – Indian Express, April 27, 2004
  • ವೃ೦ದಾ ಆಚಾರ್ಯ ರ೦ಜನೀಯ ಶೈಲಿಯ ಗಾಯನ ಸಾಮರ್ಥ್ಯವನ್ನು ರೂಢಿಸಿಕೊ೦ಡಿದ್ದಾರೆ... ರಾಗಗಳ ವಿಸ್ತೃತ ಆಲಾಪನೆ ಹಾಗು ಸುಶ್ರಾವ್ಯ ಹಾಡಿಕೆ ಆಕೆಯ ಪ್ರತಿಭೆಗೆ ಉತ್ತಮ ನಿದರ್ಶನ...” – ಕನ್ನಡ ಪ್ರಭ, ಅಕ್ಟೋಬರ್ ೩, ೨೦೦೪
  • ಯುವ ಕಲಾವಿದೆ ವೃ೦ದಾ ಆಚಾರ್ಯ ಸಾಧನೆ ಮತ್ತು ಪರಿಶ್ರಮಗಳಿ೦ದ ತನ್ನ ಅನುಭವ ಕೋಶವನ್ನು ಶ್ರೀಮ೦ತಗೊಳಿಸಿಕೊ೦ಡಿದ್ದಾರೆ... ಅವರ ಕಛೇರಿ ಅವರ ಕಲ್ಪನಾ ಪ್ರತಿಭೆಯ ಸು೦ದರ ಸೃಷ್ಟಿಯಾಗಿತ್ತು...” – ಪ್ರಜಾವಾಣಿ, ನವ೦ಬರ್ ೨, ೨೦೦೪
  • “Vrinda has a good voice and sings with confidence. She presented a number of good compositions with good feeling” - Deccan Herald, May 29, 2006
  • “...ವಯಸ್ಸಿನಲ್ಲಿ ಕಿರಿಯರಾದರೂ ವಿದ್ಯೆಯಲ್ಲಿ ಪ್ರತಿಭಾವ೦ತೆ... ವೃ೦ದಾ ಆಚಾರ್ಯ ಹಸನಾದ ರಾಗಗಳಲ್ಲಿ ಜನಪ್ರಿಯ ಕೃತಿಗಳನ್ನು ಹಾಡುತ್ತಾ ಕೇಳುಗರ ಗಮನ ಹಿಡಿದಿಟ್ಟುಕೊಳ್ಳುತ್ತಾ ಕಛೇರಿ ಬೆಳಸಿದರು... ಯಾವ ಆಟಾಟೋಪಗಳಿಲ್ಲದ ಒ೦ದು ಸಾ೦ಪ್ರದಾಯಿಕ ಗಾಯನ...” – ಪ್ರಜಾವಾಣಿ, ಜೂನ್ ೧, ೨೦೦೬
  • “….the young artiste exhibited remarkable versatility….she created a bright melodic experience….she expanded Varali dexterously maneuvering through intricate, but melodic sancharas with strict adherence to shruti. Clear accents, distinct pauses, meaningful neraval and decorative swaraprastara rendered her recital comprehendible, meaningful and pleasing.” – The Hindu, June 27, 2008
  • "Vrinda's melodious voice retaining its timbre irrespective of the octaves...Her approach to ragas and the kritis held the audience under sway..the gamut of her voice, the graces she employed and the intricate sancharas confirmed the depth of her practice.. clear diction, proper accents, apt gamakas, necessary pauses and tuneful nilugades complemented the import of the compositions; and the sense of shruthi enhanced the melody.." - The Hindu, April 10, 2009
  • "Vrinda Acharya from Bengaluru with a sharp soprano voice lent freshness to her recital…Sankarabharanam, the centre piece, was elaborated with diligence. The leitmotifs exhibited the ragas' speciality with lovely embellishments” – The Hindu, Sept 24, 2010
  • “She has a good voice and sings with involvement... She revelled in the alapana of Saveri, more so in the expansive presentation of Purandaradasa's ‘Baraiah Venkataramana’”– Deccan Herald, March 21, 2011
  • “Vrinda was at her best during the concert and showed her proficiency in executing the nuances of the ragas…exhilarating rendition of kritis… Vrinda was so natural and clear in her presentation and only a few artistes have these qualities” – Deccan Herald, March 22, 2011
  • “Vrinda Acharya's concert was proof of ample talent augmented by assiduous training.. .her approach was improvisational, systematic, leisurely, and comprehensive... The artiste's rich and pliant voice was employed to great advantage in the fairly detailed elaboration of Saraswathi raga, with clear sancharas in the mandra sthayi and sparkling brighas around the thara shadja and rishabha… for the raga-tana-pallavi in Todi, the alapana was systematic, leisurely, and comprehensive, with halts at all the important junctures and replete with gamaka-laden phrases…her free flowing manodharma highlighted the multiple shades of the raga and its immense scope…the rendition was embellished with intricate sangathis and well ordered kalpana swaras which were indicative of her laya prowess” – The Hindu, June 10, 2011
  • “Vrinda, a disciple of Neela Ramgopal, has a pleasant voice coupled with a classical instinct, an advantage that will help her find more platforms in Chennai...Vrinda's essay of ragas were exemplary and proved the depth of her patantara of many kritis.” – The Hindu, Dec 2, 2011